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Duration=101 minute / Tomatometers=7,4 / 10 / / A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy / 2020 / writed by=Eliza Hittman. Literally, my pc crashed right when the video started. I thought it was a troll. LMAO.

The film, which had its world premiere at the 2020 Sundance Film Festival, is inspired by a tragic true story. “ Never Rarely Sometimes Always ” is writer-director Eliza Hittman s follow-up to her award-winning 2017 drama “Beach Rats, ” and it stars Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold, and Sharon Van Etten. The film, which had its world premiere at the Sundance Film Festival on January 24, 2020, follows a pair of teenage girls in rural Pennsylvania, who travel to New York City to seek out medical help after an unintended pregnancy. The story was inspired by Savita Halappanavar, an Indian woman living in Ireland, who was denied an abortion by the staff at University Hospital Galway, on the grounds that granting her request would be illegal under Irish law. This ultimately resulted in her death from septic miscarriage, which served as a rallying cry for efforts to repeal the Eighth Amendment of the Constitution of Ireland, which prohibited abortion in most instances. Halappanavars death led to the passing of the Thirty-sixth Amendment of the Constitution, which repealed the Eighth Amendment, and signed into law the Health (Regulation of Termination of Pregnancy) Act in 2018. For Hittman, reading about Halappanavars case was devastating. “I was very sad and started reading about how far women in Ireland would have to travel at that time if they needed an abortion, and thinking about what that journey looks like in other countries, and decided to explore that dilemma in the context of our current climate, ” she said. In “Never Rarely Sometimes Always, ” Autumn, played by Flanigan, is a teenager who works as a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for an abortion in her home state, she and her cousin Skylar (Ryder) put together some cash, pack a suitcase, and board a bus to New York City, which is entirely unfamiliar to both of them. Flanigan said she was drawn to the project because of Hittmans sensitive, true-to-life script. “I loved how grounded in reality it was, and it was kind of magical in its own way, ” the actress said. And as to what informed her lauded performance, she said: “I just drew from that universal pain that all of these women are feeling, and trying to maintain these rights that are always under threat. ” Co-star Ryder was also drawn to Hittmans writing. “For me, it was also the script that drew me, and the role that I play, and the fierce love and protection she has for her cousin, ” Ryder said. “And also it was kind of an untold story, and so just seeing that made me want to be a part of it. ” Hittman revealed that she was partly motivated by Cristian Mungius 2007 Communist Romania-set drama, “4 Months, 3 Weeks and 2 Days, ” which told the story of two students who try to get an illegal abortion, during the final years of dictator Nicolae Ceaușescus reign. She loved the film, but found inspiration in its flaws. “What really resonated with me was a secondary character who is pregnant, and is a bit shamed for being pregnant, and is considered a little juvenile, careless, and reckless, and I thought, even though the film is stunning, its execution was a bit insensitive towards a character who was actually in crisis, ” she said. “And thats something I thought about a lot in writing my film. ” For research, Hittman spoke to not just women in similar predicaments as her leads, but also the people whose job it is to assist them. “I talked with social workers at several clinics, like Planned Parenthood in New York, and just tried to hear their stories about their encounters, and tried to empathize and think about what they go through as well, ” she said. Since its Sundance premiere, the film has been well received by critics, scoring a 100% rating on review aggregator Rotten Tomatoes. IndieWires Kate Erbland called it a “candid abortion drama” that “hits hard. ” Sundance praises its “bracing clarity and understated emotion, ” describing it as a story of a teenage girl “making an arduous journey, through which a bigger statement emerges — that of reclaiming her body and her spirit. ” The film is scheduled to be released on March 13, 2020, by Focus Features. It was also selected to compete for the Golden Bear in the main competition section at the 70th Berlin International Film Festival. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

Never Rarely Sometimes Always Movie watch video. Thank you guys 😂😍❤💙. 1 win & 2 nominations. See more awards  » Videos Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 6. 8 / 10 X A stripper named Zola embarks on a wild road trip to Florida. Director: Janicza Bravo Stars: Riley Keough, Nicholas Braun, Taylour Paige 8. 3 / 10 A Korean family moves to Arkansas to start a farm in the 1980s. Lee Isaac Chung Steven Yeun, Yeri Han, Yuh-Jung Youn Comedy 7. 9 / 10 When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other. Max Barbakow Camila Mendes, Cristin Milioti, Andy Samberg, Fantasy 8. 6 / 10 A reclusive man conducts a series of interviews with human souls for a chance to be born. Edson Oda Zazie Beetz, Bill Skarsgård, Winston Duke Crime Thriller 7. 2 / 10 A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who cross her path. Emerald Fennell Carey Mulligan, Bo Burnham, Laverne Cox 6. 5 / 10 Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. Benh Zeitlin Yashua Mack, Devin France, Gage Naquin Horror 7 / 10 A widow begins to uncover her recently deceased husband's disturbing secrets. David Bruckner Rebecca Hall, Sarah Goldberg, Stacy Martin 7. 7 / 10 The 40-Year-Old version is a New York comedy about a down-on-her-luck playwright who thinks the only way she can salvage her voice as an artist is to become a 40. Radha Blank Welker White, Haskiri Velazquez, T. J. Atoms A female filmmaker at a creative impasse seeks solace from her tumultuous past at rural retreat, only to find that the woods summon her inner demons in intense and surprising ways. Lawrence Michael Levine Aubrey Plaza, Sarah Gadon, Christopher Abbott Two young brothers from Colombia struggle to fit into their new lives in suburban America. Esteban Arango Wilmer Valderrama, Diane Guerrero, Moises Arias 5. 9 / 10 Life for an entrepreneur and his American family begin to take a twisted turn after moving into an English country manor. Sean Durkin Jude Law, Carrie Coon, Charlie Shotwell Sci-Fi Possessor follows an agent who works for a secretive organization that uses brain-implant technology to inhabit other people's bodies - ultimately driving them to commit assassinations for high-paying clients. Brandon Cronenberg Jennifer Jason Leigh, Andrea Riseborough, Tuppence Middleton Edit Storyline A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy, Plot Summary Add Synopsis Details Release Date: 13 March 2020 (USA) See more  » Also Known As: Never Rarely Sometimes Always Company Credits Technical Specs See full technical specs  ».

0:28 He's desperately trying to find some more NZT48. Where's part 5 dude I am really loving the guard in a secret govt facility story but I am the end of 4 and their ain't no 5. Never rarely sometimes always movie watching. No upcoming screenings. Available No Tickets Available [ artDate, amDateFormat: dddd, MMMM Do" artDate, amDateFormat: h:mm A. You may not purchase more tickets at this time. About U. S. Dramatic Special Jury Award for Neorealism Autumn, a stoic, quiet teenager, is a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for termination in her home state, she and her cousin Skylar scrape up some cash, pack a suitcase, and board a bus to New York City. With only a clinic address in hand and nowhere to stay, the two girls bravely venture into the unfamiliar city. Writer-director Eliza Hittman ( It Felt Like Love, Beach Rats) masterfully creates a spartan cinematic language through gestures and details, where subtext is just as important as written dialogue. Cinematographer Hélène Louvart shoots on 16 mm film, evoking a grainy, bleak, and stark atmosphere, capturing the young actors, Sidney Flanigan and Talia Ryder (both discoveries) in intimate close-ups that accentuate the complexity of their natural, minimalist performances. With bracing clarity and understated emotion, Hittman fearlessly tells the story of a teenage girl making an arduous journey, through which a bigger statement emerges—that of reclaiming her body and her spirit. YEAR 2019 CATEGORY U. Dramatic Competition COUNTRY U. A. RUN TIME 101 min COMPANY Focus Features WEBSITE EMAIL PHONE (212) 887-0685 Credits Director Eliza Hittman Screenwriter Producers Adele Romanski Sara Murphy Executive Producers Rose Garnett Tim Headington Lia Buman Elika Portnoy Alex Orlovsky Barry Jenkins Mark Ceryak Director of Photography Hélène Louvart Editor Scott Cummings Production Designer Meredith Lippincott Casting Directors Geraldine Barón Salome Oggenfuss Costume Designer Olga Mill Composer Julia Holter actor Sidney Flanigan Talia Ryder Théodore Pellerin Ryan Eggold Sharon Van Etten Artist Bio Eliza Hittman is an award-winning filmmaker, born and based in Brooklyn, New York. Her last film, Beach Rats, premiered in the U. Dramatic Competition at the 2017 Sundance Film Festival, where she won the Directing Award. It premiered internationally at the Festival del film Locarno in the Golden Leopard Competition and was the Centerpiece Film at New Directors/New Films. Beach Rats was released domestically by NEON and was a New York Times Critics' Pick.

January 24, 2020 7:30PM PT Eliza Hittman's teenage abortion drama is a quietly devastating gem. The basic plot of “ Never Rarely Sometimes Always ” is easy enough to describe. A 17-year-old girl named Autumn (Sidney Flanigan) winds up pregnant in a small Pennsylvania town. Prevented from seeking an abortion by the states parental consent laws, she takes off for New York City with her cousin Skylar (Talia Ryder) where what theyd assumed would be a one-day procedure winds up proving considerably more complicated. But that synopsis, and the polemical “issue movie” treatment it might suggest, hardly does justice to the surgically precise emotional calibration of writer-director Eliza Hittman s exceptional film, which is both of a piece with, and a significant step forward from, her prior youth-in-crisis works “Beach Rats” and “It Felt Like Love. ” At once dreamlike and ruthlessly naturalistic, steadily composed yet shot through with roiling currents of anxiety, “Never Rarely Sometimes Always” is a quietly devastating gem. When we first meet Autumn – introverted, morose, standoffish – shes singing a confessional folk take on “Hes Got the Power” at her high school talent show, only for a boy in the audience to interrupt her with a shout of “slut! ” A tense exchange in a pizza place with her ineffectually supportive mother (Sharon Van Etten) and openly hostile step-father (Ryan Eggold) follows, and the fact that her heckler is casually sitting a few tables over tells us everything we need to know about the claustrophobia of her hometown. When she gets back to her bedroom, she takes a look at herself in the mirror, and her eyes naturally turn to the growing bump in her lower abdomen. Autumn finds little help at the womens clinic downtown, where the nurses are outwardly warm and reassuring, though a close read of their word choices makes it fairly clear where they come down on the Roe v. Wade debate. Since an abortion in the state requires a parents permission anyway, Autumn makes some hesitant, though plenty harrowing, attempts to end the pregnancy herself. Fortunately her cousin Skylar, with whom she works at a run-down grocery store, quickly figures out Autumns secret. Slipping some 10s from the register into her pocket, she wordlessly agrees to accompany her to New York for an abortion, and they hop on a Greyhound the next morning. Once they get there, they find themselves shuttled back and forth through the labyrinthine corridors and roadblocks of the American health care system, which forces them to remain in the city much longer than theyd bargained for. Not having anywhere to stay, they spend the rest of their trip slogging sleeplessly from one station to another, lugging their shared suitcase up staircase after staircase, and though both girls are in way over their heads, Hittman never portrays the city as a menacing urban wasteland – like so much of the adult world, its simply indifferent to them. (Which is not to say that the film is without threats. Throughout, Hittman makes us feel the weight of pervasive male attention. Whether its a creeper on the subway, a flirtatious older supermarket customer, or even an ostensibly harmless college kid (Theodore Pellerin) who tries to talk up Skylar on the bus, the fear of men barging their way uninvited into these girls lives hangs heavy over everything. ) Hittmans screenplay is a marvel of economy, never wasting time filling in relationship details or backstories when they can be more powerfully hinted at. Most obviously, we never learn the father of Autumns unborn child, though the film subtly offers two possible candidates – neither are good, and one is particularly bad. The scene that provides the films title is a gut-churning back-and-forth at a clinic that opens several new doors into even darker chapters in Autumns past, all of which are left purposefully, and hauntingly, unexplored. We may not quite get under Autumns skin, but thats by design. It isnt just that she holds everyone at arms length, but that shes a girl for whom survival is contingent upon compartmentalizing trauma, and Flanigan – a first-time actor – has a disarming way of parceling out tiny fragments of Autumns inner life, only to quickly raise her defenses again as soon as she realizes that shes doing it. Skylar is considerably more outgoing, though she knows her cousin too well to try and draw her out. Indeed, the most eerily magical moments in the film are the ones that show Autumn and Skylars almost telepathic communication. With just a shared glance, a squeeze of the hand, or a minute spent applying one anothers makeup in a bathroom, Flanigan and Ryder are able to speechlessly convey things to which other films might devote pages of dialogue – not just reactive emotions, but complex decisions, explanations, assurances. Both performances are outstanding. But whats most remarkable about “Never Rarely Sometimes Always” is the way it manages to honor the gravity of Autumns experience without ever sensationalizing it, or allowing the film to veer toward melodrama. Its clear that taking this trip is one of the biggest, scariest things shes ever done, but once the film fades to black, its easy to imagine Autumn resuming her life more or less the same way it had been before. Its easy to imagine her never mentioning the experience again, consigning it to yet another of the emotional lockboxes she keeps deep inside. This may as well be the sort of thing that happens to teenage girls all the time. Because, of course, it is. Following a thunderstorm of Oprah Winfrey-related controversy and a successful Sundance film festival premiere, “On the Record” has secured domestic distribution at HBO Max. A harrowing look at the struggle of women of color in the #MeToo movement, specifically those accusing hip-hop mogul Russell Simmons of rape and sexual assault, the film was meant to. Seven-time Oscar nominee Dennis Gassner (“Blade Runner 2029, ” “Jarhead”) was in Alaska recovering from back surgery when he got an interesting email. “Do not do the ‘Bond film, ” it read. “I have a film thats very ambitious. Sending script now. ” The note, Gassner recalls, was from director Sam Mendes, who hed previously worked with on. In 1964, Variety reviewer Robert J. Landry was over the moon about the Paramount movie “Becket, ” which Edward Anhalt scripted from Jean Anouilhs play. Landry said the film was “invigorated by story substance, personality clash, bright dialogue and religious interest. Patrons and perhaps reviewers will tend to heap credit on the actors. They deserve it. With “Little Women, ” producer Amy Pascal has scored her second Oscar nomination (after “The Post”. Writer-director Greta Gerwigs adaptation of Louisa May Alcott is only the third best picture nominee ever to be produced, written and directed solely by women, following “The Piano” and “Winters Bone. ” Pascal has another distinction: Of the nine nominated films. Jessica Mann — a key witness in Harvey Weinsteins rape trial who alleges the former movie mogul raped her twice and sexually assaulted her on numerous occasions — was let off the stand on Monday when she said she was having a panic attack during cross-examination. After being questioned for five hours by Weinsteins attorney. The medias most-discussed Oscar story this year is the lack of diversity. But in fact, awards are the worst gauge of Hollywoods commitment to inclusion, because the results are always kept secret, and because were talking about voters tastes (which may or may not involve the need to Make A Statement with their votes. The. Thousands are set to cast ballots this week on two important races: the Iowa caucus and the Oscars, both of which rely on ranked-choice voting systems that are commonly misunderstood. When deciding who will win best picture at this years Academy Awards, voters are asking to list their favorite movies in order of preference. In.

Never Rarely Sometimes Always Directed by Eliza Hittman Produced by Adele Romanski Sara Murphy Written by Eliza Hittman Starring Sidney Flanigan Talia Ryder Théodore Pellerin Ryan Eggold Sharon Van Etten Music by Julia Holter Cinematography Hélène Louvart Edited by Scott Cummings Production companies Tango Entertainment BBC Films Mutressa Movies Pastel Productions Distributed by Focus Features Release date January 24, 2020 ( Sundance) March 13, 2020 (United States) Country United States United Kingdom Language English Never Rarely Sometimes Always is a 2020 American-British drama film, written and directed by Eliza Hittman. It stars Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold and Sharon Van Etten. It had its world premiere at the Sundance Film Festival on January 24, 2020. It is scheduled to be released on March 13, 2020, by Focus Features. It was also selected to compete for the Golden Bear in the main competition section at the 70th Berlin International Film Festival. [1] 2] Premise [ edit] Two teenage cousins from Pennsylvania embark on a journey to New York City following an unplanned pregnancy. Cast [ edit] Sidney Flanigan as Autumn Talia Ryder as Skylar Kim Rios Lin as Anesthesiologist Drew Seltzer as Manager Rick Carolina Espiro as Michelle/Financial Advisor Production [ edit] In April 2019, it was announced Sidney Flanigan, Talia Ryder, Théodore Pellerin, Ryan Eggold and Sharon Van Etten had joined the cast of the film, with Eliza Hittman directing from a screenplay she wrote. Adele Romanski and Sara Murphy will produce the film under their Pastel Productions banner, while Rose Garnett, Tim Headington, Elika Portnoy and Alex Orlovsky will executive produce the film under their BBC Films and Tango Entertainment banners respectively. Focus Features will distribute. [3] Principal photography began in February 2019. [4] Release [ edit] It had its world premiere at the Sundance Film Festival on January 24, 2020. [5] It is scheduled to be released in the United States on March 13, 2020. [6] Reception [ edit] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 100% based on 28 reviews, and an average rating of 8. 88/10. The site's critics consensus reads: Powerfully acted and directed, Never Rarely Sometimes Always reaffirms writer-director Eliza Hittman as a filmmaker of uncommon sensitivity and grace. 7] On Metacritic the film has a weighted average score of 92 out of 100, based on 14 critics, indicating "universal acclaim. 8] Accolades [ edit] Never Rarely Sometimes Always competed at the 2020 Sundance Film Festival for the U. S. Dramatic Special Jury Award: Neo-Realism and U. Dramatic Competition Grand Jury Prize, with director Eliza Hittman winning for the former. [9] References [ edit] "The 70th Berlinale Competition and Further Films to Complete the Berlinale Special. Berlinale. Retrieved January 29, 2020. ^ Dams, Tim (January 29, 2020. Berlin Competition Lineup Revealed: Sally Potter, Kelly Reichardt, Eliza Hittman, Abel Ferrara. Variety. Retrieved January 29, 2020. ^ Wiseman, Andreas (April 15, 2019. Focus Features, Moonlight' Outfit Pastel & BBC Films Team For Eliza Hittman Drama 'Never Rarely Sometimes Always. Deadline Hollywood. Retrieved April 15, 2019. ^ Never, Rarely, Sometimes, Always. Retrieved April 15, 2019. ^ Siegel, Tatiana (December 4, 2019. Sundance Unveils Female-Powered Lineup Featuring Taylor Swift, Gloria Steinem, Abortion Road Trip Drama. The Hollywood Reporter. Retrieved December 4, 2019. ^ Obenson, Tambay (January 31, 2020. Never Rarely Sometimes Always' Eliza Hittman Was Inspired by the Flaws of '4 Months, 3 Weeks, and 2 Days. IndieWire. Retrieved February 3, 2020. ^ Never Rarely Sometimes Always (2020. Rotten Tomatoes. Retrieved February 2, 2020. ^ Never Rarely Sometimes Always Reviews. Metacritic. Retrieved February 2, 2020. ^ Hipes, Patrick (February 1, 2020. Sundance Film Festival Awards: Minari' Scores Double Top Honors – The Complete Winners List. Retrieved February 2, 2020. External links [ edit] Never Rarely Sometimes Always on IMDb.

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Never rarely sometimes always movie watch series. Never Rarely Sometimes Always Movie watchers. Thank you for this video. I am watching it via my console but used my computer for the comment section. Based on my own experience when I was 9 years old (I am 59 now) I believe they were taken. I was at Glenelg sideshows with my 4 younger brothers and sister. A man gave us quite a lot of money to play on sideshows and hung around us for a long time. I didn't think of stranger danger - I just thought he was very nice giving us so much money and thought it was a bit strange that a grown up man wanted to hang around a bunch of kids. Then at some point, to my horror, I noticed my younger sister missing. I found her, maybe 300 meters along the beach with this man. I ran down the beach, grabbed her and took her back to my parents car and frantically told my parents. In those days the police station was right near those showgrounds and car park, but my dead beat parents never got involved in anything. We just all drove home. I remember how disturbed I felt that they did nothing when we knew that three other children around our age (the Beaumonts) had gone missing. When I was about 56, I went over the details with my sister, mainly trying to work out how old we were when this happened. Then on her urging. I went to police. She lived interstate, so I gave them the email conversations that I had with her about the incident. I can't be sure - it was 50 years ago, and I'm not sure how reliable my 9 year old memory is, but the image of him in my mind is consistent with that of Harry Phipps as shown in media photograph. He had a hat on (the sort men wore in the 60s) so I can't recognize the top of his head. What I noted in my statement to police though, is that he presented as being middle class. I wish now I had elaborated more. What I meant was that he was well dressed and well spoken. I was so disheartened when this latest search come to nothing. I thought this time they may have solved that crime. Sorry - I'm too scared to use my real name in writing this.

Never rarely sometimes always movie watch list.

Never Rarely Sometimes Always Movie watching.

Jenifar once you can't continue, you need to go back. Those hairstylist are fool cos they don't know what's btw Marcus nd Jenifar.

Haha i loved how they were in onesies, its so cute! 😂 Lilys poems were also really funny. Never Rarely Sometimes Always Movie watch dogs. Written and directed by Eliza Hittman, the film is an intimate portrayal of two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion. IN THEATERS March 13, 2020 GROUP SALES NEWSLETTER Sign up for Never Rarely Sometimes Always film updates SOCIAL Never Rarely Sometimes Always March 13, 2020.

Never rarely sometimes always movie watch download. The day Australia lost its innocence. I remember this day so well. I was the same age as Jane and their disappearance scared me so much, for up until then, we children could leave home early in the morning and come home to eat some time during the day and we could play all day without a problem. I have always felt so sad for Mr & Mrs Beaumont and I had always hoped that they would get some answers. How could you ever get over loosing all three of your beloved children. Actually, no. nothing will make up for them canceling that show. Especially for them canceling it on a cliffhanger.

Christopher Nolan and Robert Pattinson. Take my money I am coming. I need to see this movie. Im so bummed i cant see this sooner. Ugh. Headspace ad legit interrupted me and I almost raged. You all should watch the movie Unplanned. It tells the real story of a PP higher-up leaving PP. Wow💙❤💚💜😥looks like a movie that makes me want to cry and have a different perspective about life😥 and maybe friends in the future👏👏👏🙏🙏🙏. Awesome trailer.

Critics Consensus Powerfully acted and directed, Never Rarely Sometimes Always reaffirms writer-director Eliza Hittman as a filmmaker of uncommon sensitivity and grace. 100% TOMATOMETER Total Count: 33 Coming soon Release date: Mar 13, 2020 Audience Score Ratings: Not yet available Never Rarely Sometimes Always Ratings & Reviews Explanation Never Rarely Sometimes Always Videos Photos Movie Info Faced with an unintended pregnancy and a lack of local support, Autumn (Sidney Flanigan) and her cousin Skylar (Talia Ryder) embark across state lines to New York City on a fraught journey of friendship, bravery and compassion. Rating: NR Genre: Directed By: Written By: In Theaters: Mar 13, 2020 limited Runtime: 101 minutes Studio: Focus Features Cast News & Interviews for Never Rarely Sometimes Always Critic Reviews for Never Rarely Sometimes Always Audience Reviews for Never Rarely Sometimes Always There are no featured reviews for Never Rarely Sometimes Always because the movie has not released yet (Mar 13, 2020. See Movies in Theaters Never Rarely Sometimes Always Quotes Movie & TV guides.

If men could get pregnant, abortion clinics would be like Starbucks, there would be two on every block, four in every airport, and the morning-after pill would come in different flavors like sea salt and cool ranch. Nasim Pedrad. Writer-director Eliza Hittman follows 'Beach Rats' with a transfixing account of a small-town Pennsylvania teenager dealing with an unplanned pregnancy. In her hypnotic 2017 feature Beach Rats, Eliza Hittman trained a tough yet lyrical gaze on the conflicted self-discovery of a teenager in summertime blue-collar Brooklyn, exploring his sexuality while dodging the toxic masculinity of his tribal buddies. Trading that sun-blasted environment for a much darker intimacy, the writer-director returns to the adolescent female focus of her insightful first feature, It Felt Like Love, though that film's hunger for sexual experience has made way here for an uneasy reckoning with its collateral damage, as a young woman struggles to take control of her body after finding herself pregnant. Slated for a March release through Focus Features, Never Rarely Sometimes Always should continue to widen the admiration for Hittman's signature blend of unadorned realism with moody, melancholy dreaminess, while providing an impressive showcase for talented young screen discoveries Sidney Flanigan and Talia Ryder. At a time when reproductive rights are under threat in many states, the film also stands to earn attention for its candid and clear-eyed contemplation of abortion as a choice arrived at not with hand-wringing but with sobering pragmatism. Swiftly establishing that Autumn (Flanigan) is something of an outsider in her rural Pennsylvania community, Hittman opens with what appears to be a high school talent show. Unlike the jolly 1950s-style dance group or the cheesy Elvis impersonator that precede her onstage, there's nothing frivolous about Autumn's act as she accompanies herself on acoustic guitar, singing a decelerated, emo-fied take on The Exciters' hit "He's Got the Power. her sad eyes heavy with silver glitter. She falters only briefly as a male student in the audience yells "Slut. during her song. But the same jerk's crude mockery of her from across the diner where she goes with her family after the show gets under her skin. And although Autumn's caring mother (Sharon Van Etten) and her cousin Skylar (Ryder) offer support, her stepfather (Ryan Eggold) refuses to say anything encouraging about her performance, making it clear he's had enough of her sullen withdrawal. Right from the start, Hittman plants the idea of girls drawn into compromising situations and judged harshly for it while boys get bragging rights among their snickering peers. The lyrics of the song Autumn performs — "He makes me do things I don't want to do / He makes me say things I don't want to say / And even though I want to break away / I can't stop saying I adore him / Can't stop doing things for him" — are echoed later in her responses to the questions of an abortion clinic counselor, with the multiple-choice answers providing the movie's title. Hittman's script pares away all unnecessary detail, so we first learn of Autumn's pregnancy in a simple shot of her slight belly bulge before she confirms it at a local women's clinic where she's shown a graphic anti-abortion video. The awful solitude of her predicament runs through the film like a sorrowful undertow, countered by the warmth of her closeness with Skylar, who's more like a sister than a cousin, even if they tend to talk around anything too sensitive. At no point does Autumn confide in her mother. It's Skylar who takes the initiative at the supermarket where they work as cashiers for a pervy boss, when she lifts a wad of cash to cover their bus fare to New York. That shift in location — from the shabby storefronts, dying industrial sites and wintry farmlands of Pennsylvania to the crowds and confusion of Manhattan's Port Authority Bus Terminal — changes up the grainy textures of cinematographer Hélène Louvart's limber 16mm camerawork. It also magnifies the vulnerability of the two young women, who arrive in New York with nothing but the address of a Brooklyn reproductive clinic. When her pregnancy turns out to be further along than Autumn was told, the termination procedure becomes more complicated, requiring them to stay two nights with no money for hotels or meals. As she revealed in her earlier films, Hittman is an exemplary director of young actors, coaxing unimpeachably natural work here from her leads, in which their courage, fears, resilience and gnawing uncertainties play out across their faces as they kill time riding subways, in video arcades or simply wandering around the bus terminal. Flanigan is a real find, her background as a musician deftly incorporated into a stunningly nuanced screen debut, in the opening and then again in a later karaoke-bar scene in which she puts a haunted spin on Gerry and the Pacemakers' Don't Let the Sun Catch You Crying. Ryder is equally compelling, and their lovely chemistry gives the movie a gentle emotional pull. The moments of understated tenderness between them seldom involve much direct discussion of their situation. But there are notes of lingering poignancy, such as a fight that causes Skylar to stomp off, later reconciling with Autumn in a beautiful scene in which their innate understanding of one another outweighs any need for an apology. Hittman's storytelling is seductively loose, impressionistic, but key episodes give shape to the girls' unsettling odyssey. One involves them reconnecting with a fellow passenger from the bus (Théodore Pellerin) who made no secret of his attraction to Skylar, trying to impress her with his knowledge of the cool New York music scene. (His tuneless karaoke rendition of Flock of Seagulls' Wishing" almost makes his desire endearing. Hittman refuses to judge either Skylar for using her sexuality to get some cash out of him or the horny stranger for taking advantage of the tight spot that the girls consistently play down. Flanigan's face speaks volumes as she watches her cousin making out with him. The film's most intense scene is Autumn's interview with the clinic counselor; Louvart's camera locks in on Flanigan as Autumn tries to answer the questions of the caring medical professional, the patient's eyes revealing shame, regret and humiliation. There's never a showy moment in either of the lead performances, and yet we come to know these two young women intimately during a journey more often traveled in silence than conversation. The teen-abortion factor tags Never Rarely Sometimes Always as an issue drama, and in the most unconventional way, it is — raw, haunting and painfully real. But it's perhaps better defined as a moving snapshot of female friendship, solidarity and bravery. The effortless flow in an exchange near the end in which Skylar switches from asking taciturn Autumn about the medical procedure to appreciating the greasy delights of Chinese baked goods is far more emotionally affecting than the tearful outpouring that most directors would have placed there. Production companies: Pastel Production, in association with Tango Entertainment, Mutressa Movies, Cinereach Distributor: Focus Features Cast: Sidney Flanigan, Talia Ryder, Théodore  Pellerin, Ryan Eggold, Sharon Van Etten Director-screenwriter: Eliza Hittman Producers: Adele Romanski, Sara Murphy Executive producers: Rose Garnett, Tim Headington, Lia Buman, Elika Portnoy, Alix Orlovsky, Barry Jenkins, Mark Ceryak Director of photography: Hélène  Louvart Production designer: Meredith Lippincott Costume designer: Olga Mill Music: Julia Holter Editor: Scott Cummings Casting: Geraldine Baron, Salome Oggenfuss Venue: Sundance Film Festival (U. S. Dramatic Competition) 101 minutes.

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Never rarely sometimes always movie watch 2017. Who's Involved: Ryan Eggold, Adele Romanski, Sara Murphy, Théodore Pellerin, Eliza Hittman, Talia Ryder, Sidney Flanigan, Sharon Van Etten Rating: N/A Runtime: N/A Never Rarely Sometimes Always Official stills & photos 10 more Never Rarely Sometimes Always Plot: What's the story? The story focuses on two teenage girls in rural Pennsylvania. Faced with an unintended pregnancy and a lack of local support, Autumn and her cousin Skylar embark on a brave, fraught journey across state lines to New York City. Poll: Will you see Never Rarely Sometimes Always? Never Rarely Sometimes Always Cast: Who are the actors? Film Details & Notes: What do we know about Never Rarely Sometimes Always? The film was developed by BBC Films who also co-financed production alongside Tango Entertainment and Mutressa Movies. Executive producers are Rose Garnett for BBC Films, Tim Headington and Lia Buman for Tango Entertainment, Elika Portnoy and Alex Orlovsky for Mutressa Movies. Crew and Production Credits: Who's making Never Rarely Sometimes Always? A look at the Never Rarely Sometimes Always behind-the-scenes crew and production team. The film's director Eliza Hittman last directed Beach Rats. The film's writer Eliza Hittman last wrote Beach Rats. Producers Sara Murphy Adele Romanski Never Rarely Sometimes Always Trailers & Videos Production Timeline: When did the Never Rarely Sometimes Always come together? On or about December 29, 2019 • The film was in Completed status. On or about April 15, 2019 • The film was in Post-Production status. Never Rarely Sometimes Always Release Date: When is it coming out? Never Rarely Sometimes Always is coming out in 2020 on Friday, March 13, 2020 and will be released in nationwide movie theaters. There are 6 other movies coming out on the same date, including Bloodshot, My Spy and The Informer. Coming Soon (29 days to go. Add to Google Calendar United States March 13, 2020 Nationwide Canada March 13, 2020 Questions: Frequently Asked About Never Rarely Sometimes Always.

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